Michael Ercolano, 3D Generalist at BlueBolt comes back to BlueBolt's work on The Last Kingdom, the historical TV Show based on Bernard Cornwell’s novels The Saxon Stories. BlueBolt has been working on The Last Kingdom since 2015 and the scale and realism of the crowds had increased every season, until the latest feature special "Seven Kings Must Die".
Testimonials
Louis Maero, Crowd Simulation Lead at MPC Paris explains in details the challenges of creating 240 epic battle shots for The Astérix & Obélix: l'Empire du Milieu movie.
Fireheart is L'Atelier Animation's second animated feature film about the story of a young woman New York firefighter. L'Atelier Animation populated Broadway with cars and pedestrians. Akie Prapas, Layout Supervisor, tell us about their workflow.
Philippe Fournier, Fullscreen’s CEO, and Jean Burtschell, Crowd Artist take us behind the curtains of the war machines and armies attacking King Arthur’s castle in Kaamelott - Premier Volet.
Our long time user LAVAlabs comes back with a new production "Oktoberfest: Beer and Blood" for which they recreated Munich and the "Wiesn" at the turn of the 20th century and populated it with Golaem.
